DJ Ian Svenonius brings a punk and garage rock history into DJ mode, with soul in the mix. Zebulon’s free dance party bill keeps the night loose.
Tonight, sorted.
A short, music-first edit of shows to consider tonight, tomorrow, and later this week.
59 current options.
How to read it
Start at the top of each list. The order favors stronger recommendations, and each note says what the show sounds like and why it matters.
No matching shows in this view. Try All or a broader lane.
Weekend
Levitation Room is Los Angeles psych and garage rock in a Frogtown room suited to strange, wiry indie bills.
The Charities bring Southern California soul, funk, and indie circuits into Lodge Room, a Highland Park room with enough scale for detail and volume.
The Beach Boys at the Hollywood Bowl is Southern California surf pop on an outdoor July Fourth fireworks bill, with John Stamos as the named guest.
Henri Bergmann brings melodic house, melodic techno, and indie dance to Avalon, where the draw is club scale and singer led motion.
Luke Carlsen and the Fresh Rhythm Band is a Bel Air supper club jazz night, more seated polish than rough edge discovery.
ANIBASH, CROSSROADS has thin music detail, so the handle is the East Hollywood room, dance and electronic tags in a larger Hollywood venue.
Live Forever is an Oasis tribute on the Westside, with rock songs doing the sorting. The Venice West makes the most sense as a nearby Venice night.
Peace Frog points this toward a Doors tribute night in Venice, with rock and jam tags as the clearest handle. The Venice West keeps it local more than destination heavy.
House and hits in Gold Diggers' East Hollywood bar hotel room, with dance night utility more than destination pull.
The Beach Boys at the Hollywood Bowl ties surf pop, July Fourth fireworks, and a large outdoor LA room into one very literal holiday night shape.
A women's African drum circle at The World Stage puts community percussion at the center. Leimert Park gives the night a grounded, local frame.
DRAKK and TRIPTYKH put hard techno in 1720’s Warehouse District setting, a later week dance night built around pressure and underground electronic texture.
A full album Illinoise tribute is the handle here, arranged indie pop memory in a Highland Park room built for attentive detail.
A 90s and 2000s dance party at Zebulon is built around familiar hooks and a loose Frogtown room, not close listening.
Juliet Mendoza brings soulful and deep house from LA's dance community into a Hollywood club room where rhythm and warmth matter more than spectacle.
FANTASTIC REALITY's Doki Doki, Rewind Time reads as an electronic dance night at The Vermont Hollywood, with the room doing more work than artist detail.
A Fourth of July brunch tied to Deadicated Project puts the Westside jam rock angle up front. The Venice West makes it a daytime, neighborhood sized play.
World Stage Big Band brings Leimert Park community jazz into its home room. Big band scale in a local jazz space is the good handle here.
Screams Of Syrens brings hard rock to a multi band Whisky a Go Go bill, with the Sunset Strip room doing some of the practical sorting for the night.
Herb Alpert and Tijuana Brass material at the Hollywood Bowl points to bright brass, Latin pop polish, and an outdoor scale. The music detail is broad but legible.
Beatles Brunch at The Venice West is a Westside rock and brunch convenience play. The draw is familiar song shape in a Venice room, not discovery.
Grocery Bag, Shellshaker, and The Going Away Party make this a compact East Hollywood indie bill. Gold Diggers keeps the friction low for a nearby night.