- Outdoor Amphitheater
YOASOBI is strongest when bright vocals and electronic production comes through clearly. This is one of the nights where the music itself is the reason to make the plan.
Next few nights
Los Angeles shows in the next few nights
A tighter near-term scan for people planning one or two nights ahead instead of just tonight.
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80 picksLive in the guide
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Next few nights
- Standing room
Tomahawk sounds most distinctive in heavy, off kilter songs drawing from alternative metal, noise rock, and art rock. Tomahawk is the kind of smaller show that can beat the obvious bigger room.
- Intimate Listening Setup
World Stage Big Band puts tone and rhythm section detail right out front. At The World Stage, the music speaks directly or not at all.
- General Live-Music Room
Cat & Maomi is the physical end of the night, more pulse than reflection. Cat & Maomi is the kind of smaller show that can beat the obvious bigger room.
- Seated
Keith Washington lands harder with a real voice or rhythmic hook. For Sunday, Keith Washington lands better when the songs announce themselves quickly.
- Standing room
Noah Levine puts Corey Harper out front. At Moroccan Lounge, a good support level act can feel larger than expected.
- Flexible Art And Performance Space
Dirty Looks holds up in a room where small sounds can stay intact. Dirty Looks makes more sense if you want specificity over scale.
- General Live-Music Room
Gina Kuhn stays engaging when the music gives you a clean anchor. Alex's Bar is the right room for loud guitars and a low ceiling.
- Intimate Listening Setup
Sonja Marie is a voice first set, not a production first one. Sonja Marie makes more sense if you want specificity over scale.
- General Live-Music Room
The Pretty Flowers keeps the focus on jangly guitars, literate hooks, and local scene durability. Redwood is rough in the good way, informal, loud, and better with a drink nearby.
- Seated
The Sunday jazz set feels stronger when the sound is more specific than the title alone. Blue Note Los Angeles puts the Sunday jazz set close enough to the band for the songs to do the work.
- Standing room
Deradoorian, Mary Sea stays engaging when the music gives you a clean anchor. Deradoorian, Mary Sea gets a more revealing room at Zebulon, which helps when the music has real edges.
- Venue page only
- Standing room
Lotus Juice Player One US tour feels strongest when one part of the arrangement clicks early. Lodge Room rewards sets that get specific before the room starts drifting.
- Flexible Art And Performance Space
Sam Wenc + AV Moves is about players in real time, touch, timing, and interplay you can hear. 2220 Arts + Archives rewards sets that get specific before the room starts drifting.
- Standing room
Niina Soleil with Kafi and Camille Trust stays engaging when the music gives you a clean anchor. The Roxy Theatre keeps the set immediate once the music gets specific.
- Intimate Listening Setup
For Sunday, Sonja Marie lands better when the songs announce themselves quickly. Sonja Marie is more convincing when the band gives the songs a clear shape early.
- Standing room
Ida leans on intimate harmonies, slowcore patience, and delicate songwriting. Lodge Room gives the sound space without making the night feel remote.
- Standing room
Dogma Society stays engaging when the music gives you a clean anchor. At Moroccan Lounge, Dogma Society sounds better when it gets specific the moment it starts.
- Standing room
DJ Nick at Nite is a guitar set built on volume, edges, and immediacy. Zebulon puts DJ Nick at Nite close enough to the band for the songs to do the work.
- Standing room
Desert Daze Presents Angine De Poitrine feels strongest when one part of the arrangement clicks early. At Teragram Ballroom, the close room keeps the set immediate.
- Seated
Magnus & Friends Residency puts tone and rhythm section detail right out front. Magnus & Friends Residency gets a more revealing room at Blue Note Los Angeles, which helps when the music has real edges.
- Outdoor Amphitheater
The Black Crowes & Tedeschi Trucks Band + Whiskey Myers is about players in real time, touch, timing, and interplay you can hear. This gets more interesting if one part of the arrangement grabs you fast.
- General Live-Music Room
Very good mondays leans on a clear groove or melody, with the rest of the band adding texture around it. Very good mondays at Gold Diggers keeps the detour compact.
- Venue page only
- Flexible Art And Performance Space
CINEMA LAND leans on a clear groove or melody, with the rest of the band adding texture around it. If you are already in the area, CINEMA LAND is a compact detour instead of a full night plan.
- Standing room
Rucci sells itself through the music on Monday. Rucci at The Echo keeps the detour compact.
- Flexible Art And Performance Space
The Lure sells itself through the music on Monday. If you are already in the area, The Lure is a compact detour instead of a full night plan.
- Standing room
Silkworm is built around taut guitar writing, literate songs, and the Pacific Northwest/Chicago underground. Lodge Room is a good middle size when the songs need air and edge.
- Venue page only
- Intimate Two-Room Singer-Songwriter Space
Mollie Elizabeth feels strongest when one part of the arrangement clicks early. Hotel Cafe is a good room for checking whether the songs have real bones.
- Theater-Scale Room
The Sword leans on a clear groove or melody, with the rest of the band adding texture around it. The Sword is easier to argue for when the bigger rooms feel too polished.
- Intimate Listening Setup
Billy Childs is about players in real time, touch, timing, and interplay you can hear. Billy Childs at The World Stage reads clearly fast in a room that does not hide much.
- Standing room
Desert Daze Presents Angine De Poitrine leans on a clear groove or melody, with the rest of the band adding texture around it. Teragram Ballroom rewards sets that get specific before the room starts drifting.
- Seated
Magnus & Friends Residency sells itself through the music on Tuesday. Magnus & Friends Residency at Blue Note Los Angeles on Tuesday lands hardest once the music arrives quickly and clearly.
- Standing room
The Music of Hey Arnold Live in Concert leans on a clear groove or melody, with the rest of the band adding texture around it. At Zebulon, the close room keeps the set immediate.
- Larger General-Admission Room
Passion Pit lands harder with a real voice or rhythmic hook. Passion Pit feels stronger when the sound is more specific than the title alone.
- Standing room
G Flip with Vienna Vienna feels strongest when one part of the arrangement clicks early. The Tuesday show at The Roxy Theatre reads clearly fast in a room that does not hide much.
- Seated
Devin Daniels puts tone and rhythm section detail right out front. Devin Daniels sells itself through the music on Tuesday.
- Seated
Elliott Deutsch's Pandemonium Big Band sounds most distinctive in polished charts and classic big band energy. Elliott Deutsch's Pandemonium Big Band is more convincing when the band gives the songs a clear shape early.
- Standing room
The Tuesday show lands harder with a real voice or rhythmic hook. The Tuesday show feels stronger when the sound is more specific than the title alone.
- Intimate Listening Setup
THE NO CHASERS puts the voice up front, with melody and phrasing doing most of the work. THE NO CHASERS sells itself through the music on Tuesday.
- Outdoor Amphitheater
Gershwin, Bernstein & More is built around movement, bass, and a room that wants to dance. Gershwin, Bernstein & More feels stronger when the sound is more specific than the title alone.